Beethoven 9th Symphony Herbert Von Karajan 1080p #viralvideo #beethoven #symphony9 #classicalmusic

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A finsl psrt of the 4°movement is protected by copyright,i can't post it,sorry
The First Movement: Allegro ma non troppo, un poco maestoso
Karajan’s interpretation of the first movement is defined by a sense of cosmic drama and immense, controlled power. He handles the opening, with its famous ghostly rustling, not as a whisper but as a vast, expectant void. From this void, the main theme emerges with a terrifying, almost fatalistic force. The Berlin Philharmonic's strings play with a rich, dark texture, and the brass sections thunder with a decisive, powerful tone. Karajan’s control of tempo and dynamics is absolute, building the dramatic tension and releasing it in overwhelming climaxes. The entire movement feels like a titanic struggle, with moments of sublime introspection quickly giving way to aggressive, monolithic declarations. The sound is seamless and disciplined, but imbued with an almost frightening sense of fate.

The Second Movement: Molto vivace
The scherzo is a brilliant display of rhythmic energy and orchestral virtuosity under Karajan’s baton. He takes this movement at a breathtaking pace, creating a relentless, propulsive force that is both exhilarating and precise. The famous timpani solos are executed with military precision, driving the rhythm forward with a powerful, almost percussive pulse. The different sections of the orchestra pass the main theme between them with machine-like accuracy, while Karajan ensures the trio section provides a necessary moment of lyrical contrast. The sheer discipline of the playing is astonishing, showcasing the orchestra's ability to maintain a powerful, forward-moving energy without ever losing clarity or control.

The Third Movement: Adagio molto e cantabile
In the slow movement, Karajan reveals a more lyrical and tender side of his interpretative genius. Here, the focus is on a seamless, flowing melody and a sound of incredible beauty. The Berlin Philharmonic’s strings sing with a golden, burnished tone, their phrases flowing into one another with perfect legato. Karajan allows the music to unfold with a profound sense of contemplation, building the emotional intensity through subtle dynamic shifts rather than overt drama. The balance between the string and wind sections is impeccable, creating a dialogue that is both intimate and deeply moving. It is a moment of peaceful reflection, a tranquil eye in the storm before the final, cataclysmic events.

The Fourth Movement: Presto - Allegro assai
Karajan's handling of the finale is a breathtaking journey from initial chaos to ultimate, communal triumph. The movement begins with a cacophony of orchestral sound, a violent interruption that Karajan conducts with powerful force. He then guides the listener through the famous bass recitatives, which he handles with a dramatic, storytelling quality, before the "Ode to Joy" theme finally emerges in the basses. As the theme builds and the chorus enters, Karajan masterfully integrates the vocal and instrumental forces. The chorus sings with a stunning blend and power, their sound becoming a monumental, joyful proclamation. The final section, the Prestissimo, is a whirlwind of sound, a controlled explosion of pure joy. The entire ensemble drives towards a final, thunderous conclusion, with Karajan ensuring that every part contributes to a glorious, unifying shout of victory. This movement stands as a testament to his unique ability to manage immense musical forces to create an expression of universal joy and brotherhood.
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